Charles and Ray Eames were a husband and wife design duo who made major contributions to modern architecture and furniture. Though they worked in different mediums, their creative partnership produced some of the most iconic designs of the 20th century. This article explores the lives and work of Charles and Ray Eames through the lens of film, examining how documentaries showcase their achievements in design and visual communication.

Introducing Charles and Ray Eames

Charles Ormond Eames, Jr (1907-1978) and Bernice Alexandra “Ray” Eames (1912-1988) met at Cranbrook Academy of Art in Michigan, marrying in 1941. Charles initially studied architecture, while Ray focused on painting and sculpture. Together they embraced technology, communication, and the concept of the “whole picture” in their designs.

The Eameses believed design should relate to how people live. This mindset drove them to create multifunctional, problem-solving designs combining architecture, manufacturing and communication. Charles brought technical expertise in architecture and interest in mass production, while Ray contributed artistic flair, color sense, and subtlety of line.

Though working in visual mediums, the Eameses saw connections between architecture, graphic design, photography, and film. To them it was about communicating ideas and solutions, whether for a chair, a poster, a slideshow, or a multimedia exhibit.

Eames Films: Communicating Design

Charles and Ray Eames created over 100 short films from the 1950s to the 1970s, many sponsored by corporations. Though commercial in nature, the films revealed the Eameses’ passion for education, science, and intersections of visual communication.

Film let the Eameses explain complex ideas to broad audiences through moving images, animations, music, and narratives. They used multi-screen slide projection as an early form of multimedia to engage viewers. Even in black-and-white films, their graphics were colorful, playful and full of warmth.

Eames films covered diverse topics, from mathematical concepts to cultural rituals worldwide. Their most famous film, Powers of Ten (1968), depicts the universe in factors of ten, zooming from the cosmic to the quantum. This short film captures their belief in continuous learning through visualizing data and facts.

Photography and Collage

The Eameses frequently incorporated photographic images into their films, often using collage techniques. Collage layered images to compress space, time and ideas, revealing connections. Charles was an avid photographer, and Ray created graphic collages, including for the iconic Eames lounge chair.

In films like House: After Five Years of Living (1955) the Eameses used collage to pack visual information into a dynamic sequence. Photos of their furnishings in use demonstrated their concept of the home as a living lab. The poetic use of images expressed the human experience of inhabiting their modernist home.

Sculptural Wood, Playful Plastics

The Eames’ furniture designs are highlighted in several of their films. For example, L-Leg Table Base Film (1960) poetically displays the bent wood L-leg base Charles created for a table, as if sculpting a human leg. This experimental film reveals the Eameses seeing endless possibilities in materials.

The iconic Eames shell chairs, molded out of shockingly bright fiberglass in the 1940s, also make frequent film appearances. In SX-70 (1972), the varied hues of Eames shell chairs accentuate the palette of Polaroid SX-70 instant camera images. Again, their furniture becomes part of visual communication.

Mathematical Magic

The Eames Office produced educational shorts on mathematical concepts, collaborating with mathematicians like Dr. Edwin Land and Dr. Roger Reynolds. The classic Toccata for Toy Trains (1957) turns toy train sets into visual music, as locomotives wind through abstract tunnels in sync with Bach.

Donald in Mathmagicland (1959) features Donald Duck exploring mathematical curiosities and shapes, like the Möbius strip. The meta film The Information Machine (1957) explains how educational films are produced. Always learning themselves, the Eameses wanted to pass on the magic of science and numbers creatively.

Documenting the Eames Legacy

Since the deaths of Charles and Ray Eames, various documentaries have examined their lives, design philosophies, and ongoing influence:

Eames: The Architect and the Painter (2011)

This feature-length documentary profiles Charles and Ray Eames’ marriage and partnership through interviews, archival footage, and cinematic reenactments. It provides biographical context for how two creative individuals came together to produce such innovative work.

The film title references Charles the architect and Ray the painter. It shows how their training in traditional arts fused with their interest in modern technologies and communication to create multi-dimensional design across mediums.

Design is Never Done: The Works of Charles and Ray Eames (2018)

Made for the Library of Congress, this documentary unpacks the Eameses’ process and inspiration across mediums. It emphasizes how they blurred boundaries between architecture, graphic design, exhibitions, photography, and film. The Eameses saw all their work as part of human communication and education.

Interviews showcase how Charles and Ray continually refined ideas, embraced failures, and never saw design as complete. They constantly improved their molded plywood and plastic chairs through pressure, heat, and production innovations. As Charles noted, “the details are not the details. They make the design.”

An Eames Celebration: Artists and Designers On the Herman Miller Family (2013)

This short film examines the ongoing relevance of Eames designs through Modernica, the licensed manufacturer of vintage Eames products. It shows how Eames pieces became icons through smart design, technological innovations, and continuous refinement.

Interviews with modern architects and designers showcase how Eames furnishings still resonate in contemporary homes. Their designs prove good design never goes out of style. This celebrates the Eameses’ belief that design shapes how people live.

The Films of Charles & Ray Eames, Volume 1 (1997)

This box set collects 19 of the Eameses’ most significant films on topics from architecture to mathematics to photography. It includes classics like Powers of Ten and Toccata for Toy Trains as well as industrial shorts profiling companies.

These films showcase how Charles and Ray used the cinematic medium as an extension of their design practice. The documentaries above put their creative films in biographical context, but watching the films directly reveals their purpose and style. The films themselves are the Eameses’ true legacy.

The Ongoing Influence of Charles and Ray Eames

Why do Charles and Ray Eames continue to fascinate and inspire decades after their deaths? A few key reasons include:

Blurring Boundaries

The Eameses bridged art, design, technology, and communication in groundbreaking ways. They operated as equal partners across mediums in an era when women were rarely credited. Ray brought artistic flair while Charles handled the engineering feats.

By fusing sculpture, mass production, graphic design and filmmaking, they created works both high-tech and artistic. They blended commercial projects with passion projects seamlessly, seeing all design as part of life.

Creative Problem Solving

The Eameses’ designs responded to human needs, from affordable furniture to visual explanations of abstract concepts. As Charles noted, “Design is a plan for arranging elements to accomplish a particular purpose.”

Their plywood chairs provided beauty, simplicity, comfort and affordability. Their films used multimedia to break down complex ideas. Underpinning everything was relentless refinement and improvement for real people’s lives.

Visual Education

Charles and Ray used multimedia design to make abstract ideas — like mathematics and physics — accessible and engaging. Their films and exhibits invited audiences into lifelong learning through images, texts, sounds and sensations.

Today’s information age owes a debt to how the Eameses visualized knowledge. They presaged interactive discovery of information. In our complex world, their films prove learning can be playful.

Human-Centered Design

The Eameses’ pioneering user-centered design considered buildings, objects, and communication from the human perspective. As Charles stated, “Eventually everything connects – people, ideas, objects.” They strove to improve lives through thoughtful designs.

Many user experience and human-centered design principles draw from the Eameses’ example. Their innovative chairs responded to the human body in motion. Their multimedia displays engaged multiple senses.

Blending Disciplines

Charles and Ray Eames showed how disciplines connect, working across architecture, graphic design, exhibits, photography, film and furniture. They blended arts, technology, and manufacturing, believing in collaborative creation.

Today’s creative fields increasingly intersect. Innovators in diverse domains build on the model of the Eameses, who knew design serves greater human goals. Their seamless integration of the arts, engineering, and communication still inspires.

Celebrating Charles and Ray Eames

Charles and Ray Eames’ creative partnership produced design icons that shaped modern visual culture. Through architecture, furnishings, photography, and films, they expressed a multifaceted vision to improve lives through design. Their human-centered ethos and playful curiosity endures.

The Eameses believed in knowledge as an ongoing journey. They created multimedia experiences inviting participation in visual learning across disciplines. Their inclusive outlook inspires future generations.

Charles and Ray Eames saw design, communication, and the arts as interconnected. They fused disciplines to make homes more livable, knowledge more accessible, and facts more engaging. Their unified vision exemplifies timeless design.

This pioneering duo democratized great design through mass production of affordable, useful objects. Yet even their commercial work revealed their exceptional creative gifts. They made spaces more inspiring, processes more elegant, ideas more understandable, and lives more enriched.

Frequently Asked Questions About Charles and Ray Eames

Charles and Ray Eames have a lasting legacy as designers in many fields. Here are some common questions about their lives and work:

What is the Eames famous for designing?

Charles and Ray Eames designed iconic furnishings like the molded plywood and fiberglass shell chairs, as well as the Eames lounge chair. They also designed multimedia exhibits, films, books, toys, and textiles. Their innovative factory produced furniture affordably.

What is the Eames house made of?

The Eames house in Los Angeles was constructed out of standardized industrial materials. It has exposed steel beams, large walls of glass, and panels made of multiple materials like corrugated steel. This modernist home functioned as a living laboratory for the Eameses.

Are Eames chairs still made?

Eames chairs are still in production today by licensed manufacturers like Herman Miller, Vitra, and Modernica. These companies use the original techniques and materials developed by the Eameses. New colors and upholstery keep these icons relevant.

What was revolutionary about the Eames chairs?

The Eames chairs were revolutionary in their use of mass production and new materials like molded plywood and plastics to create affordable, modernist furnishings. Their simple, sculptural seat shells rested on slim rod bases, lightening the visual look.

What technologies did Charles and Ray Eames innovate?

Charles and Ray Eames pioneered technologies for molding affordable, mass produced chairs out of plywood, aluminum, and plastics. Charles invented the hand-shocking process for molding plastic chairs. They also used multimedia projectors for dynamic presentations.

How were Charles and Ray Eames influential as designers?

As designers, the Eameses made modern design accessible. They problem-solved with a human-centered approach across fields, from architecture to films. They valued collaboration and crossing disciplines. Their designs united high tech methods, artistic flair, and communication.

What types of films did the Eameses create?

The Eameses created diverse sponsored and independent films ranging from mathematical narratives to cultural documentaries. They often incorporated playful graphics, photography, music and multimedia elements. Their films made abstract concepts engaging.

How were Charles and Ray Eames equal partners?

Charles and Ray each contributed their own talents as equal partners, though the times did not fully recognize this. Ray’s artistic skills balanced Charles’ more technical expertise. They both collaborated on ideas and designs. Ray was clearly the artistic force.

What made Charles and Ray Eames’ designs so iconic?

Charles and Ray Eames’ designs had a sculptural simplicity, embracing new technology and materials. They solved problems of function while delivering beauty. Their deep respect for users, learners, and the human experience gave their work great purpose.

Why were Eames films and multimedia exhibits groundbreaking?

The Eameses’ films used dynamic imagery, motion, music, and poetic juxtaposition of photos and facts to engage audiences’ senses. Their multimedia exhibits invited interaction, presaging today’s participatory learning. They made abstract concepts experiential.


Charles and Ray Eames transformed 20th century visual culture through their iconic modern designs. But they also changed how we communicate ideas, create multimedia experiences, and envision education. Their human-centered ethos fused arts, information, technology, and utility with grace.

The Eameses believed in lifelong learning. As Charles stated, “We work because it’s a chain reaction, each subject leads to the next.” Their inspiring careers show how disciplines connect. Diverse creators today build on their legacy by fusing arts, technology, and knowledge to serve people.

The Eames’ pioneering user-focused design process endures in today’s human-centered design models. Their problem-solving with everyday materials inspires sustainable, useful innovation. And their joyful curiosity provides a model to keep exploring, creating, and communicating.

Charles and Ray Eames brought warmth, playfulness, and visual clarity to their explorations of complex ideas. They made design more inviting and information more engaging across their films, furniture, and multimedia exhibits. The Eameses’ unified creative voice continues to resonate.